The Agony and the Ecstasy of Steve Jobs / The Last Cargo Cult press photos

print use / web use

With two audacious new monologues, Mike Daisey returns to Berkeley Rep for an incredible doubleheader: The Last Cargo Cult and The Agony and the Ecstasy of Steve Jobs.

Photographer:
Ursa Waz

print use / web use

With two audacious new monologues, Mike Daisey returns to Berkeley Rep for an incredible doubleheader: The Last Cargo Cult and The Agony and the Ecstasy of Steve Jobs.

Photographer:
Ursa Waz

print use / web use

With his latest monologue, The Agony and the Ecstasy of Steve Jobs at Berkeley Rep, master storyteller Mike Daisey investigates our culture’s love affair with technology.

Photo courtesy of kevinberne.com

print use / web use

With his latest monologue, The Agony and the Ecstasy of Steve Jobs at Berkeley Rep, master storyteller Mike Daisey investigates our culture’s love affair with technology.

Photo courtesy of kevinberne.com

print use / web use

With his latest monologue, The Agony and the Ecstasy of Steve Jobs at Berkeley Rep, master storyteller Mike Daisey investigates our culture’s love affair with technology.

Photo courtesy of kevinberne.com

print use / web use

With his latest monologue, The Agony and the Ecstasy of Steve Jobs at Berkeley Rep, master storyteller Mike Daisey investigates our culture’s love affair with technology.

Photo courtesy of kevinberne.com

print use / web use

With his latest monologue, The Agony and the Ecstasy of Steve Jobs at Berkeley Rep, master storyteller Mike Daisey investigates our culture’s love affair with technology.

Photo courtesy of kevinberne.com

print use / web use

With his latest monologue, The Agony and the Ecstasy of Steve Jobs at Berkeley Rep, master storyteller Mike Daisey investigates our culture’s love affair with technology.

Photo courtesy of kevinberne.com

print use / web use

Mike Daisey—pictured here in front of a famous monument to Deng Xiaopheng, in Shenzhen, China—returns to Berkeley Rep with an audacious new monologue: The Agony and the Ecstasy of Steve Jobs.

Photographer:
Ursa Waz

print use / web use

Renowned performer Mike Daisey traveled to China to research The Agony and the Ecstasy of Steve Jobs, and took this photo of a worker at an electronics factory in Shenzhen.

Photographer:
Mike Daisey

print use / web use

In The Last Cargo Cult at Berkeley Rep, master storyteller Mike Daisey spins an improbably true tale about our volcanic economy.

Photo courtesy of kevinberne.com

print use / web use

In The Last Cargo Cult at Berkeley Rep, master storyteller Mike Daisey spins an improbably true tale about our volcanic economy.

Photo courtesy of kevinberne.com

print use / web use

In The Last Cargo Cult at Berkeley Rep, master storyteller Mike Daisey spins an improbably true tale about our volcanic economy.

Photographer:
Stan Barouh

print use / web use

In The Last Cargo Cult at Berkeley Rep, master storyteller Mike Daisey spins an improbably true tale about our volcanic economy.

Photo courtesy of kevinberne.com

print use / web use

In The Last Cargo Cult at Berkeley Rep, master storyteller Mike Daisey spins an improbably true tale about our volcanic economy.

Photo courtesy of kevinberne.com

print use / web use

While researching The Last Cargo Cult, Mike Daisey visited a remote island in the South Pacific called Tanna and took this photo of worshippers celebrating John Frum Day.

Photographer:
Mike Daisey

print use / web use

At Berkeley Rep, Jean-Michele Gregory directs two audacious new monologues from Mike Daisey: The Last Cargo Cult and The Agony and the Ecstasy of Steve Jobs.

Photographer:
Ursa Waz