Professional fellowships

Introduction

Berkeley Repertory Theatre offers an 11.5-month fellowship program for serious-minded, highly motivated individuals who are ready to embark upon a professional theatre career. Fellows are directly exposed to the Theatre’s daily operations and given the opportunity to learn alongside an accomplished company of artists, administrators, guest directors and designers. Click here to see a few of the artists and theatre professionals with whom past fellows have worked.

While at Berkeley Rep, fellows are encouraged to fulfill as many career-building goals and objectives as possible, gaining both practical experience and professional contacts through the program. In addition to their specialized training, participants gain additional insight into the art and operations of a professional regional theatre through regularly scheduled seminars led by guest speakers and members of the Theatre’s senior staff. Additionally, all fellows serve as mentors for Berkeley Rep’s annual Teen One-Acts Festival.

Berkeley Rep seeks applicants who have already acquired basic training and experience in their field and are ready for the next step toward a career in professional theatre. Ideal candidates should be willing to engage in the creative process, eager to test the limits of their own ingenuity, and ready to join a professional, artistic community. Our goal is to help our fellows transition successfully from life as a college or university student into the world of theatre professionals.

The fellowship program requires an 11.5-month commitment. Fellows generally begin on July 15 and conclude on June 30. They are given a monthly allowance to help cover expenses, including transportation, and housing is available for all 15 fellows. For their participation in the fellowship program, fellows receive credit from San Jose State University.

Please note: If the fellowship involves driving, the applicant must have an acceptable driving record as approved by our insurance representatives. All fellowships are contingent upon passing a criminal background check.

Fellowships offered

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Artistic and administrative fellowships

Bret C. Harte Directing (Artistic Administration)

The Bret C. Harte Directing Fellowship is a chance to observe the inner workings of an artistic department at a major regional theatre. You will assist directors of our productions while observing the collaborative process from original concept through design and production. This includes the opportunity to read scripts, support workshops, attend and organize auditions, observe rehearsals, attend artistic staff meetings, discuss season planning, and organize events such as Page to Stage. In addition to working closely with the casting director, you will have the opportunity to mentor a young director as part of the School of Theatre’s Teen One-Acts Festival, and will be involved in The Ground Floor, which is Berkeley Rep’s new-play development lab. Ideal candidates will have experience and commitment to the art of directing. We are looking for someone who is self-motivated with the ability to synthesize information, and thrive in a project-based learning environment.

Company Management

Berkeley Rep’s company management team serves as the primary point of contact between visiting theatre artists, Berkeley Rep staff, and the Berkeley community. This is an ideal fellowship for an enthusiastic candidate seeking to learn about the operations of multiple departments. The fellow will learn the basics of artist hospitality, including arranging artist travel to and from Berkeley as well as their accommodation while in residence. The fellow will also develop skills in event planning by assisting with company-wide events, and learn about general theatre management while assisting with contracts, the preparation and maintenance of budgets, and other administrative projects as required throughout the season. Prerequisites: A high degree of personal organization, strong interpersonal skills, discretion, facility with Excel, a valid drivers’ license, and a willingness to roll with the punches.

Development (Fundraising)

Essential to anyone wishing to pursue a career as a non-profit theatre administrator is a knowledge of fundraising. The development fellowship focuses on the implementation of a fundraising plan for the theatre and the process of cultivating and stewarding individual and institutional donor relationships. Under the guidance of the Theatre’s special events director, the fellow will learn all aspects of planning and executing donor stewardship and fundraising events, culminating in the opportunity to execute events independently. The fellow will also gain a broad perspective on all other aspects of the development department, including fundraising from corporations, foundations, and individuals. The fellow will lead a targeted fundraising campaign for the School of Theatre’s Teen Council program.

Education

This fellowship provides an opportunity for an individual to explore the inner workings of a multi-faceted theatre education program. The fellow will learn the full range of skills necessary for success in an arts education career through participating in mentored projects focusing on programming, teaching, advocacy, community engagement, marketing, and evaluation. Projects will be designed to grow in size and responsibility throughout the fellowship, depending on the fellow’s developing goals, interests, and skill level. While the fellow will have access to classes and interact with faculty members and students regularly, this fellowship focuses more on the administration of arts education programs than developing teaching skills.

Graphic Design

Berkeley Rep’s design team works within the Theatre’s marketing department, producing hundreds of pieces each year. The graphic design fellow is mentored by the art director on the process of designing marketing materials such as print and web advertisements, magazines, direct mail, brochures, interactive lobby displays, signage, and more. The fellow will hone his/her design skills and learn how to take a multitude of projects from conception through production, gaining practical design experience in a fast-paced environment, learning marketing best practices, and participating in the workings of a high-energy team. By the end of the fellowship, the fellow will have created several high-quality portfolio pieces and be well-trained for a full-time job in design. Previous fellows have joined the staffs of Old Navy, Meyer Sound, Fine Arts Museums of San Francisco, San Francisco Symphony, Fenton Communications, YMCA, and Berkeley Rep, among others. Prerequisite: Experience in graphics and layout programs (Adobe InDesign, Photoshop, and Illustrator), and an understanding of fundamental design principles. Candidates must submit samples of work or a link to an online portfolio (no original artwork, please).

Peter F. Sloss Literary / Dramaturgy

This fellowship involves mentored training in writing for the show program, intensive reading and critiquing of play submissions, helping to plan and execute The Ground Floor Summer Residency Lab, supporting the rehearsal room, maintaining a script library, assisting young playwrights in the Teen One-Acts Festival, and other as-needed projects. The fellow will have opportunities to provide dramaturgical context, including writing and research. Applicant should be extremely organized, personable, and possess a strong background in writing, as well as knowledge of dramaturgy and theatre. Valid driver’s license required. Candidates must submit, in addition to their other application materials, two samples of critical writing (at least one must be about a play).

Marketing / Digital Communications

Berkeley Rep’s marketing and communications department functions as a full-service agency with one client—Berkeley Rep. The marketing fellow will learn the process of identifying, cultivating, and retaining an annual audience of 200,000 subscribers and single ticket patrons, as well as supporting our development department, School of Theatre, and The Ground Floor: Berkeley Rep’s Center for the Creation and Development of New Work. Skills will be developed in strategic and tactical marketing subjects including but not limited to brand management, campaign planning, creative development, advertising (digital, print, outdoor), promotions, community outreach, event planning, media relations, direct mail, social media and viral marketing, data analysis, and budget management. Opportunities exist for a motivated fellow to work as part of a team and independently, enabling her/him to pursue interests and develop skills for the future. Prerequisites: enthusiasm for marketing, superior communication and organization skills, attention to detail, ability to manage multiple projects, and proficiency with Microsoft Office products. Box office and/or social media experience desirable. Previous marketing fellows have found employment with New York’s Signature Theatre Company and Playwrights Horizons, Court Theatre of Chicago, Memphis Council on the Arts, Berkeley Rep, and other exemplary arts organizations.

Production fellowships

Costumes

The costumes fellow trains closely with the Costume Director and staff in all of the workings of a professional costume shop. Through hands-on experience, the fellow learns from nationally recognized designers and artisans. Depending on the fellow’s interests and skills, he/she may explore areas such as costume construction, wig making, costume painting, distressing and shopping for a modern show. Ideal candidates have basic sewing skills and an interest in creating and/or designing theatrical costumes.

Lighting / Electrics

The fellow receives hands-on learning experience working with the lighting designers for the mainstage season, and assists the Master Electrician using industry-standard software AutoCAD, VectorWorks, Spotlight and Lightwright. In addition, the fellow is involved in all areas of electrics, including building practicals, hanging, focusing and running of shows. Some opportunities may exist to design for the School of Theatre and rental groups. Ideal candidates have a background and interest in both electrics and design.

Production Management

The production management fellowship offers training at a professional theatre through mentorship by the Production Manager and Associate Production Manager. The fellow will gain experience with: processing designer contracts; facilitating communication among production, artistic, and administrative departments; scheduling tech rehearsals; creating and updating the production calendar; note taking during meetings; assisting with rentals and special events for the Theatre; tracking expenses; and assisting different departments when needed. The fellow also has a chance to apply what they have learned by being the production manager for the Teen One-Acts Festival, through the School of Theatre. Ideal candidates should display a broad knowledge of technical theatre, as well as organizational and computer skills. Prerequisite: Candidates must have a valid driver’s license.

Properties

This fellowship provides hands-on training in properties construction, carpentry, crafts, soft goods, research/shopping, and administration. Applicants should have previous prop/prop-related experience, a strong work ethic, good communication skills, and valid driver’s license. A flexible, creative personality is essential. Applicants must submit a digital portfolio for review (no original artwork, please).

Scenic Art

The scenic art fellowship follows the time-honored tradition of learning-by-doing. The scenic art fellow will learn the skills and techniques to enable them to participate as a full member of the scenic art team. Applicants with painting experience outside the realm of theatre, as well as those hoping to pursue a career in scenic design, are encouraged to apply. Applicants must submit a digital portfolio, including a sample of figure drawing or portraiture (no original artwork, please). Prerequisite: Strong drawing and color mixing skills are required.

Scenic Construction

This fellowship is about the hands-on development of skills in scenic construction, working in a professional production shop. The fellow will learn to face challenges as builder, welder, theatrical rigger, scenic automator, and draftsperson. The fellow works with state of the art equipment to transform raw materials such as woods, metals, and plastics into complex scenic elements. The scenic construction aspects of the fellowship will take place in the scene shop facility, with scenic installations in our Roda theatre fly house and fixed-grid Peet’s Theatre.

Harry Weininger Sound

The sound fellowship offers training in audio and video production at a professional level. Mentored by the Sound Supervisor and Video Supervisor, the fellow will learn about system design, signal flow, automated and non-automated systems, wireless microphones, recording, intercom systems, repairing equipment, rigging, video playback systems, projection equipment, cameras, troubleshooting, and how to collaborate well with colleagues. From challenging dramas to large-scale musicals, the sound fellow will be exposed to many different styles of production. Ideal candidates will have a strong interest in engineering, as well as design, experience setting up and programming shows, computer networking experience, PC and Mac familiarity, patience, and strong organizational skills.

Stage Management

The stage management fellowship provides a unique opportunity to learn all aspects of the duties of Actors Equity Association (AEA) stage managers. Beginning with attendance at production meetings, the fellow takes part in the rehearsal process, technical rehearsals, and in many instances will stay with a production through the completion of the run. This demanding fellowship involves the fellow in every facet of the production. Computer and word processing skills are an asset.

How to apply

Applications are available in January for positions generally beginning the following July 15. Telephone and personal interviews are generally held in April and early May. Additional interviews will be held if openings occur during the season.

Please do not call to check on the status of your application. However, if your situation has changed and you have accepted employment elsewhere, we would appreciate an email to fellowship@berkeleyrep.org.

A complete application includes:

  • Application form
  • Personal statement
  • Résumé
  • Additional documents if required (see fellowship descriptions)
  • Two letters of recommendation and one additional reference

Please make sure you have read this page for all instructions and requirements before beginning your application. Incomplete applications will not be considered.

Application form

We ask everyone to apply electronically.

With the online form, you will be able to upload your application materials as one file. Your materials should be saved as ONE single PDF document and include your personal statement, résumé, and any additional documents (i.e. writing/portfolio samples, letters of recommendation). Save this document as LastName, FirstName (ex: Rep, Berkeley.pdf).

Personal statement

This statement should be 500 words or less and include the following: your career objectives and how you expect to achieve them, what you expect from a Berkeley Rep fellowship, your experience and/or education in theatre, the qualities you possess that recommend you as a candidate for a fellowship, and how you heard about Berkeley Rep’s fellowship. Your personal statement should reveal information about yourself that may not be represented in your résumé or recommendations.

Résumé

A résumé of education, theatre experience, training, and any related work.

Two letters of recommendation

  • It is preferred that any/all letters be enclosed with your application materials, though they may be submitted separately from the rest of your application.
  • Any recommendation letters not included in your materials should be submitted by yourself or your recommender by mail or emailed to fellowship@berkeleyrep.org and saved as ApplicantLastName, FirstName_Recommendation.
  • All letters of recommendation must be received by March 10.

Recommendation letters coming by mail may be sent to:
Berkeley Repertory Theatre
Attn: Fellowship Coordinator
2025 Addison Street
Berkeley, CA 94704

Questions? Email fellowship@berkeleyrep.org.

Important information

Academic credit

If your school would like to translate your fellowship experience into academic units, Berkeley Rep is happy to work with your school advisor. Please provide any paperwork with your application.

Living expenses

Berkeley Rep provides a small stipend to assist with daily expenses, including transportation. The stipend is $8,050 (total), disbursed equally over the 11.5 months of the fellowship.

Housing and transportation

Housing is available for all 15 fellows for the duration of the program. We are unable to accommodate partners or pets. Housing is within walking distance of the Theatre. Berkeley and the Bay Area have excellent public transportation—buses and trains. We recommend managing without a car since it is difficult to park in Berkeley. There are car-sharing consortiums for those who need occasional access to a car.

International applicants

Berkeley Rep is only able to accept applicants who have taken care of the necessary documents to work in the United States (i.e. visas, green cards, citizenship, etc.). The Theatre cannot sponsor or assist applicants in the visa application process. For more information, please contact the United States embassy in your country.

Equal opportunity

Berkeley Repertory Theatre is an Equal Opportunity Employer. Persons of diverse backgrounds are encouraged to apply.

Contact information

Questions? Email us at fellowship@berkeleyrep.org. No phone calls, please. For more information on how to apply, please see “How to Apply.”

Frequently asked questions

Can I apply for more than one fellowship?

Applicants can apply to two positions (max) on the application form—one being your primary choice, the second being an alternative choice. Please only indicate an alternative choice if it is an area in which you are fully qualified and interested.

Do you offer fellowships in acting or directing?

We do not offer acting or directing fellowships; however, we do offer classes in both areas at the Berkeley Rep School of Theatre.

Do you offer summer fellowships?

Berkeley Rep’s season generally runs August—June, which does not allow us to offer summer fellowships. All fellowships are 11.5 months unless otherwise arranged.

The Ground Floor summer residency program offers short-term summer ambassadorships. Ambassadors work with artistic and administrative staff in supporting this exciting new play development program. More info.

Can I participate in the fellowship during my college winter break?

Our fellowships generally run July–June. Occasionally, additional interviews will be held if openings occur during the season. Please check “Current Availability.”

Do you accept international applications?

Berkeley Rep is only able to accept applicants who have taken care of the necessary documents to work in the United States (i.e. visas, green cards, citizenship, etc.). The Theatre cannot sponsor or assist applicants in the visa application process. For more information, please contact the United States embassy in your country.

What kind of education do I need to have?

The fellowship at Berkeley Rep is aimed for applicants looking to make the jump from the academic world to the professional world of theatre. While a college degree is not required, we ask that applicants have some practical knowledge and experience in theatre. We do not accept high school students.

Can I hold a job during my fellowship?

For maximum learning opportunities, all Berkeley Rep fellowships are designed around the regular workings of the Theatre and often take up 40+ hours per week. The Berkeley Rep fellowship and stipend are designed to cover basic living expenses. While it is possible to hold a part-time job with some fellow positions, we strongly recommend against it. Applicants should secure independent funds for other expenses they may incur during their fellowship.

Should I include a portfolio with my application?

Please check the description of the fellowship for which you are applying for specific requirements.

Who should I have write my letters of recommendation?

Ideally, your recommendation letters should be written by people who know you and your work well. Employers, professors, supervisors, and mentors are usually the best. These should be people who have seen your past work and can speak of your potential for future work. These do not need to be theatre professionals since most skills can cross over career lines.

Who are the artists with whom past fellows have worked?

World-class artists are always at Berkeley Rep. Some of the people fellows have gotten to work with include:

Directors

Christopher Bayes · Jo Bonney · Lee Breuer · Mark Brokaw · Barbara Damashek · Kyle Donnelly · Robert Egan · Oskar Eustis · Leigh Fondakowski · David Galligan · Lillian Groag · Moisés Kaufman · Brian Kulick · Irene Lewis · Jonathan Moscone · Robert Moss · Timothy Near · Kent Nicholson · Sharon Ott · Lisa Peterson · Emma Rice · Mark Rucker · Domenique Serrand · Richard Seyd · Warner Shook · Molly Smith · Tony Taccone · Stephen Wadsworth · Les Waters · David Wheeler · Mark Wing-Davey · George C. Wolfe · Mary Zimmerman

Playwrights

Bill Cain · David Edgar · Will Eno · Eve Ensler · Steven Epp · Lillian Groag · Rinne Groff · Jordan Harrison · Danny Hoch · Naomi Iizuka · Lisa Kron · Tony Kushner · Dan LeFranc · Tarell McCraney · Charles Mee · Rita Moreno · Itamar Moses · Dael Orlandersmith · Stew / Heidi Rodewald · Sarah Ruhl · Lemony Snicket · Tony Taccone · Mary Zimmerman

Scenic designers

Christopher Acebo · Chris Barreca · Bill Bloodgood · Scott Bradley · Kate Edmunds · Erik Flatmo · Ralph Funicello · John Iacovelli · Christine Jones · David Korins · Sarah Lambert · Eugene Lee · Mimi Lien · Anna Louizos · Tom Lynch · Alexander V. Nichols · Dan Ostling · Neil Patel · Todd Rosenthal · Matt Saunders · James Schuette · Annie Smart · Kris Stone · Louisa Thompson · David Zinn

Costume designers

Sonya Berlovitz · Gabriel Berry · Deborah Dryden · Callie Floor · Jessica Ford · Anne Hould-Ward · Andrea Lauer · Meg Neville · Anna Oliver · Reggie Ray · Keiko Shirnosato · Annie Smart · Lydia Tanji · Shigeru Yaji · Anita Yavich · Christal Weatherly · David Zinn · Catherine Zuber

Lighting designers

Kevin Adams · Betsy Adams · Christopher Akerlind · Blake Burba · Russell Champa · Michael Chybowski · Marcus Dillard · Matt Frey · TJ Gerckens · Donald Holder · Jim Ingalls · York Kennedy · Peter Maradudin · Alexander V. Nichols · Stephen Strawbridge · Japhy Weidman · Robert Wierzel · Scott Zielinski

Composers, arrangers, and sound artists

Billy Joe Armstrong and Green Day · Todd Almond · Marc Bennet · Michael Bodeen · Robbin Broad · Cliff Caruthers · Larry Delinger · Paul Dresher · Obadiah Eaves · Peter Golub · Tom Kitt · James LeBrecht · Bray Poor · Andre Pluess · Jim Ragland · Jake Rodriguez · Brian Ronan · Darron West · Victor Zupac

Projection / video designers

Maya Ciarrocchi · Leah Gelpe · Darrel Maloney · Alexander V. Nichols · Jeff Sugg

2017–18 fellows

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Artistic and administrative fellows

Nicholas Kowerko · Bret C. Harte Directing Fellow

Nicholas KowerkoNicholas is thrilled to be the Bret C. Harte directing fellow! He has been involved in over 25 productions as a director or assistant director in various venues across the country. He was a casting assistant at Boston Casting, where he worked on ABC Television’s Body of Proof with Dana Delaney, commercials for Dunkin’ Donuts, Gillette, and Verizon, as well as other independent feature films. He completed the directing internship at Great River Shakespeare Festival and the season-long directing assistantship at Pacific Conservatory Theatre (PCPA), where he was also on faculty, teaching undergraduate courses in Movement and Strasberg Method Acting. He has also taught at the University of Nevada at Las Vegas, the Media Performance Institute in Boston, the State University of New York at Fredonia, and Syracuse University. He was a new play development assistant at Syracuse Stage, and also an assistant director there. As a writer, he has written the scripts for devised pieces he directed, Inertia: The Banjo Opera, The One They Call the Wind, and was a co-adapter for the musical Christmas Is Here Again with Brad Carroll. Proud SDC Associate.

Alice Stites · Company Management Fellow

Alice StitesAlice has worked as the programming intern at New York Live Arts, development intern at Ensemble Studio Theatre, and artistic intern at Second Stage. She recently graduated with distinction in Drama from Kenyon College, where she directed and produced several shows as well as worked as the assistant to Wendy MacLeod, Kenyon’s playwright-in-residence. Alice is from Louisville, Kentucky.

Ariana Johnson · Development Fellow

Ariana JohnsonAriana is thrilled to be the 2017–18 development fellow. She served as the artistic director of the Stanford Asian American Theater Project for two seasons, an organization devoted to increasing diversity of peoples and stories in the performing arts. In addition to her work as a stage manager and lighting designer, recent directing highlights include Equivocation, Hairspray (associate director), and a reimagined, Asian inspired production of Into the Woods. Ariana graduated from Stanford University with a BS in Symbolic Systems with a concentration in Cognitive Science, and a minor in Theater and Performance Studies.

Ky’Lend Adams · Education Fellow

Ky’Lend AdamsKy’Lend is currently the education fellow for the Berkeley Rep School of Theatre. He is a recent graduate from George Mason University where he received a Bachelor of Arts degree in Communication with a concentration in Media Production and Criticism, and a minor in Theater. Ky’Lend has been privileged in working with Arena Stage in Washington, DC as a teaching artist for almost a decade. He is eager to be working at Berkeley Rep School of Theatre alongside individuals that are as passionate about the need for arts education as he is. In the future, Ky’Lend’s goal is to integrate arts education while making the arts accessible for all.

Kendall Markley · Graphic Design Fellow

Kendall MarkleyKendall recently graduated from Ohio University and received a Bachelor of Fine Arts in Graphic Design. Her projects have included an interactive app for the Kennedy Museum of Art, promotional materials for the Child Conservation League, and conceptual development and design of Focus Bookbinding by Professor Emeritus Don Adleta. Her work focuses on craft and bringing analog elements into the digital realm. Looking forward, she hopes to cultivate a career in the arts.

James Dinneen · Peter F. Sloss Literary / Dramaturgy Fellow

James DinneenJames is grateful to be working at Berkeley Rep for the 2017–18 season. In addition to his fellowship, he is a playwright, director, actor, filmmaker, and sound designer. His plays include Allison After a Fire (2016 Edinburgh Festival Fringe), MSR: A Sci-Fi Adventure 4 Millennial Souls, Halcyon, and Masturbating While Lonely, all of which were produced by the Colorado College Theatre Workshop. He graduated from Colorado College in May of 2017 with a major in History and Philosophy, a minor in Asian Studies, and a thesis project about monsters and the Anthropocene. He is from Denver, CO.

Arielle Rubin · Marketing / Digital Communications Fellow

Arielle RubinArielle is a native of Sebastopol, CA. She graduated Summa Cum Laude from Ithaca College in May 2017 with a BS in Theatre Arts Management. She has worked with Summer Repertory Theatre, Hangar Theatre, and Ithaca College Theatre Arts in various administrative and front of house positions. Long-term she is eager to create and foster relationships between the theatre and the public and aspires to make the arts accessible for all.

Production fellows

Kiara Montgomery · Costumes Fellow

Kiara MontgomeryKiara is the 2017–18 Berkeley Rep costumes fellow. She received a Bachelor of Science degree in Fashion Merchandising and Design at Alabama A&M University and a Master of Science degree in Consumer and Design Sciences, with a research focus in historic costume and trend analysis at Auburn University. After working in the fashion industry and several art department gigs for film, TV, and commercials, Kiara later revisited her alma mater to study theatre technology with concentrations in costume design and set design and has not looked back since. Some of her costume design credits include Miss Julie and Yellowman at Clark Atlanta University, short film Grandmother at Columbia University, and Village Plains Tribal Fusion’s MYTHOS; she also worked as a costume technician for Assassins and The Integration of Tuskegee High School at Telfair Peet Theatre. Kiara is very grateful and excited for her journey with Berkeley Repertory Theatre’s costume shop and eager to learn as much as she can throughout the process.

Domino Mannheim · Lighting / Electrics Fellow

Domino MannheimDomino just graduated from the University of Arizona with a BFA in Theatre Production Design and Technology, with an emphasis in Lighting Design and a minor in Business Administration. She has just finished working at Theatre Aspen for their 2017 summer season and is loving Berkeley so far. After her time here, she has signed a contract to join Royal Caribbean Cruise Lines as their light technician for the following six months. With her spare time (lol) she loves to read, hike, drink piña coladas, and get caught in the rain.

Dawn Marie Kelley · Production Management Fellow

Dawn Marie KelleyDawn was born and raised in Baltimore City. She got her Bachelor’s Degree in Theatre Studies from Towson University. She has spent most of her time, since graduating, stage managing in and around the Maryland/DC/Virginia area. Some of those theatres include Single Carrot Theatre, Strand Theatre, Baltimore Shakespeare Factory, Flying V Theater, and Chesapeake Shakespeare Company. She has also worked as a theatre technician with Adventure Theatre, Atlas Performing Arts Center, Olney Theatre, and Capital Fringe. During the 2016–17 season, she was the assistant production manager and box office manager for the University of Maryland, Baltimore County Theatre Program.

Mara Ishihara Zinky · Properties Fellow

Mara Ishihara ZinkyMara is excited to be the properties fellow this season at Berkeley Rep. She is a recent graduate of the Scenic Design program at The Theatre School at DePaul University. At DePaul, she designed world premieres of Prospero’s Storm and Mrs. Phu’s Cleansing Juices (and also salads), and was the props master for The Misanthrope. She has also worked as a carpenter and stagehand in her home state of Massachusetts.

Chrissy Curl · Scenic Art Fellow

Chrissy CurlChrissy designs and paints scenery and has worked for theatres around the Bay Area including Town Hall, FaultLine, Custom Made, Ray of Light, and Santa Cruz Shakespeare. She also has enjoyed making sets for young artists at Tomorrow Youth Repertory and Youth Musical Theater Company. After graduating from UC Berkeley in 2016, Chrissy is ecstatic to be a fellow at Berkeley Rep.

William Ebeler · Scenic Construction Fellow

William EbelerWill started working on theatre in high school, and has kind of been doing theatre to some extent since then. During Will’s first few years of college he was just doing it as a hobby, not really considering it seriously as a career; then about a year ago realized he was spending all his time in the theatre, to the detriment of his other classes, and decided to pursue it professionally. In the copious free time that he has between working on shows, Will loves going rock climbing.

Cecilia Pappalardo · Harry Weininger Sound Fellow

Cecilia PappalardoCecilia is a sound designer and engineer who has worked largely at the university and storefront level in the greater Chicago area. Her sound design was a part of a number of productions, largely on the Northwestern University campus, ranging from James and the Giant Peach (Imagine U) to Circle Mirror Transformation (WAVE Productions). Having recently graduated from Northwestern with a degree in Theatre, Cecilia is thrilled to return to the Bay Area, where she was raised, to work and learn as the Harry Weininger sound fellow.

Tait Adams · Stage Management Fellow

Tait AdamsTait is a recent graduate of UC Berkeley with a double major in Theater and Anthropology. She is a native of Philadelphia and grew up backstage at the Philadelphia Folk Festival where she developed a love for live performance. Tait has lived in the Bay Area since 2008 and since then has taken any opportunity to work in production that has come her way, including three years as the stage manager for the Berkeley Rep Teen Council One-Acts in high school. She is very excited to return to Berkeley Rep as the stage management fellow.